John McGahern (1934-2006) has been widely acknowledged as one of the foremost Irish prose writers of the twentieth and the early twenty-first century. McGahern has traditionally been regarded as a 'chronicler' of the lives of farmers, teachers and policemen in the Irish midlands in the twentieth century.

The 1916 Irish Rebellion is the companion book to a three-part documentary series to be broadcast worldwide in 2016. Narrated by Liam Neeson, the documentary, entitled "1916 The Irish Rebellion," and its related seventy-minute version are initiatives of the Keough-Naughton Institute for Irish Studies at the University of Notre Dame.

The growth and development of sport in Co. Tipperary, 1840 to 1880, was promoted and supported by the landed elite and military officer classes.

This book sets out to provide a scholarly analysis of money and capital, the institutional economic class interests that exist in Ireland, and alternatives to same in the spheres of paid labour and social reproduction. In essence it is a political work in that it picks a side in the debate over these issues.

The influence of revivalism is writ large in the history of modern Ireland, particularly as we commemorate a 'decade of centenaries'. Yet, whether in Ireland or elsewhere, no study of revivalism as a critical cultural practice exists, rather one tends to speak of specific revivals such as the Gothic Revival, the Gaelic Revival and so on.

This collection of essays, written by many of the foremost McGahern scholars, provides solid reasons for why the Leitrim writer has assumed canonical status since his premature death in 2006, an event which sparked something akin to a period of national mourning in Ireland.

This is the first full-length critical study of author, critic, and translator Hannah Lynch. It explores her writing and her life, in doing so shedding new light on women's cultural and political networks in Ireland and beyond.

Samuel Beckett referred to Brendan Behan as "the new O'Casey" and yet, despite all his international success, despite his enduring popularity, and perhaps because of his fame (and indeed, notoriety), Behan remains a neglected figure in literary criticism today.