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    As You Like It

    €10.00
    When Rosalind is banished by her uncle Duke Frederick, who has usurped her father's throne, she flees to the forest of Arden where her exiled father holds court. There, dressed as a boy to avoid discovery, she encounters the man she loves - Orlando, similarly forced into exile - and resolves to remain in disguise to test his feelings for her.
    ISBN: 9780141396279
    AuthorShakespeare, William
    SubAuthor1Duncan-Jones, Katherine
    SubAuthor2Duncan-Jones, Katherine
    Pub Date30/04/2015
    BindingPaperback
    Pages224
    AvailabilityCurrently out of stock. If available, delivery is usually 5-10 working days.
    Availability: Out of Stock

    'All the world's a stage,
    And all the men and women merely players'

    Rosalind, banished by her cruel uncle, travels secretly to the Forest of Arden, where her exiled father holds court. There, dressed as a boy to avoid discovery, she encounters the man she loves - now a fellow exile - and resolves to remain in disguise to test his feelings for her. One of Shakespeare's most sunny, fast-paced and accessible comedies, As You Like It is an exuberant combination of
    concealed identities and verbal jousting, burlesque and pastoral dream, reconciliations and multiple weddings.

    Used and Recommended by the National Theatre

    General Editor Stanley Wells
    Edited by H. J. Oliver
    Introduction by Katherine Duncan-Jones

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    'All the world's a stage,
    And all the men and women merely players'

    Rosalind, banished by her cruel uncle, travels secretly to the Forest of Arden, where her exiled father holds court. There, dressed as a boy to avoid discovery, she encounters the man she loves - now a fellow exile - and resolves to remain in disguise to test his feelings for her. One of Shakespeare's most sunny, fast-paced and accessible comedies, As You Like It is an exuberant combination of
    concealed identities and verbal jousting, burlesque and pastoral dream, reconciliations and multiple weddings.

    Used and Recommended by the National Theatre

    General Editor Stanley Wells
    Edited by H. J. Oliver
    Introduction by Katherine Duncan-Jones