Shows how the small city of Salem is stirred into madness by superstition, paranoia and malice, culminating in a violent climax, is a savage attack on the evils of mindless persecution and the terrifying power of false accusations. This is a depiction of innocent men and women destroyed by malicious rumour, and more.
Willy Loman is on his last legs. Failing at his job, dismayed at his the failure of his sons, Biff and Happy, to live up to his expectations, and tortured by his jealousy at the success and happiness of his neighbour Charley and his son Bernard, Willy spirals into a well of regret, reminiscence, and a scathing indictment of the ultimate failure...
Shaw's dramatization of a Cockney flower girl's metamorphosis into a lady is both a fantasy and a platform for his views on social class, money and women's independence.
Bassanio, a noble but impoverished Venetian, asks his friend the merchant Antonio for a loan to impress an heiress. Antonio agrees, but is forced to borrow the sum from a cynical Jewish moneylender, Shylock, who forces him into a chilling contract, which stipulates he must honour the debt with a pound of his own flesh.
Two plays by award-winning playwright Marie Jones: the smash hit Stones in His Pockets, which ran for four years in London's West End; and an earlier monologue, A Night in November, exploring the subjects of football and sectarianism, set during the 1994 World Cup.
In 1968, Conn Curran summed up his life-long companionship with Joyce, including the 1904 photograph he took of his friend in his family's back garden. With this re-issue of Curran's book, another group of University College Dubliners takes a new look at his work, delving into the Curran-Laird collection at the James Joyce Library.