This book interrogates the various manifestations of rival systems of justice in the plays and films of Martin McDonagh, in analysis informed by the critical writings of Michael J.
By shifting the focus away from the default national lens and instead turning to audience memories as a key source, A Post-Nationalist History of Television in Ireland defies the notion of a homogenous national television experience and embraces the diverse and transnational nature of watching television.
The ultimate anthology of cinematic showpieces, in extra-handy format. This careful selection of movie masterworks sets noir alongside new wave, slapstick alongside tragedy in a far-reaching, infinitely inspiring guide to the jewels of 20th-century filmmaking.
No real public figure has more fictitious representations than the American president: A visual compendium featuring 164 POTUS-impersonations classed in 6 typologies and sorted by 240 subcategories.
The fourth volume in the Docalogue series, this book explores the significance of the documentary Honeyland (2019) in relation to documentary ethics, the representation of human and animal relations, environmental studies, genre theory, and documentary distribution.